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Press Release Tuesday 30th June
Tickets are free (awarded by lottery)
To enter the ticket lottery go to: http://salonseries.ie
"A visionary exercise in inventive programming that offered music in magnificent surroundings. Probably the longest ray of sunshine we've had all summer."- The Irish Times
"Those looking for authenticity are well catered for nowadays, with events like the OPW's Salon Series." - Sunday Tribune
The ballroom at Farmleigh is the place to be for an evening of music you will remember long after the summer has departed. Now in their fifth year, Farmleigh’s annual series of salon music concerts have become a byword for musical excellence set in dramatic surroundings with a perfect music ambience and a fine natural acoustic. Curated by Improvised Music Company, these concerts bring Ireland and the world’s leading musicians into the very heart of Farmleigh, evoking a vibrant musical history that sits alongside the estate’s proud literary and artistic heritage.
Four, free, mid-week concerts will take place in Farmleigh’s ballroom over July and August and will feature unique and distinct talents drawn from across the musical spectrum. They are:
Julie Feeney, a woman of many hats including composer, writer, and singer, and who the Irish and UK press have hail as one of the most original talents in Ireland today, will be gracing the ballroom with her artful chamber pop on Tuesday 21st July.
Manchester born jazz pianist John Taylor brings an evening of solo piano elegance on Wednesday 29th July, where audiences will hear Farmleigh’s fine Steinway played by a modern day master.
“Matchless and magic: a timely reminder of what genius really tastes like.” is how The Irish Times recently described duo Hayes & Cahill. They have been making waves since the 1980s bringing traditional Irish music to audiences around the globe, and on Tuesday 4th August their unique approach to music from Co Clare will be a Farmleigh night to remember.
The final concert on Tuesday 11th August is a night of cultural crossover as Francesco Turrisi’s Tarab, a group which draws inspiration from Turkish, Mediterranean and Irish music, meets The Xi an Si, an intriguing trio of Chinese women embracing Irish airs performed on beautiful Asian instruments.
Tickets for each of these intimate salon concerts are free and limited, so your earliest online application to the ticket lottery is advised to avoid disappointment! For further information on ticketing and the salon music programme visit www.salonseries.ie
Listings and Booking Information:
“She is an innovator, an original; incomparable with any of her contemporaries and she has created what might just be the Irish album of the year. “ – The Irish Times
Julie Feeney’s artful chamber pop is surely tailor made for the genteel environs of Farmleigh, with her delicate palate of strings, muted brass and woodwinds that provide the background colours for one of Ireland’s most original performers and songwriters. This particular Galway girl has the wind at her back, bolstered by unanimous acclaim for Pages, the new CD which looks set to eclipse her debut 13 Songs which garnered a Choice Music Prize. It marks a quantum step in her evolution, especially as composer, where she is pushing on for musical terrain that is rarely heard outside an orchestral context.
It acts as a finely balanced foil to the songwriting, full of wry observation, quirky humour and wordplay, and there’s an assuredness to her theatrical delivery that beckons to other creative avenues too. The voice, needless to say, is as good as ever, evidence that those five years in the National Chamber Choir were in good stead, just one fork on her musical road less travelled that is now bringing her to somewhere very original.
“Pensive yet urgent, the music seemed to reflect one of the outstanding characteristics of Taylor’s playing, his remarkable ability to be simultaneously assertive and yet infinitely delicate.” – The Guardian
Solo piano is perhaps the highest expression of the jazz musician’s craft, where player and instrument are literally at one with the audience. In the right artistic hands, it’s a direct experience, with no impediment to the possibilities, from poignant intimacy to grand orchestral sweep. At the highest level, it’s within the gift of a small band of pianists, and Manchester born John Taylor is among them.
In a career spanning four decades, his poised, elegant playing with its pastoral nuances has placed him in the highest echelons, collaborating on ECM recordings with musicians like Jan Garbarek, John Surman, and the seminal trio Azimuth, one of the music’s most imaginatively conceived chamber groups. Blessed with a sublime touch, Taylor is a supremely gifted soloist in his own right, a romantic that’s not averse to swinging hard in the grand tradition of Bill Evans, the master he’s often likened to. Farmleigh is endowed with a fine Steinway, and tonight it will be in the hands of a present day master.
“Beauty and sublime artistry proliferate.” - The Irish Examiner
“Matchless and magic: a timely reminder of what genius really tastes like.” – The Irish Times
Few could have anticipated the illustrious path upon which Martin Hayes and Denis Cahill were setting out when they played their first gigs in Seattle in the 80’s, but their journey deep into the heart of traditional melody has also taken them to the world’s greatest halls, evidence of something universal at the heart of this musical partnership that speaks so effortlessly.
Their bond has grown in intensity down the years, in a nightly dialogue that seems to begin afresh every time they play, yet carries the best of the many conversations that have preceded it. In their Zen like way, the topic often starts out the same; the lyrical music of East Clare learnt in childhood from Martin’s father PJ Hayes, whose melodies are a portal to their unique sound world, where time itself seems subservient to the music’s progress, graceful and unobstructed.
For such a vast country with a profound cultural history, the West knows comparatively little of China’s great regional diversity in traditional music, but a young musician from Zhengzhou City is set to change that, at least as far as Irish audiences are concerned. Now living in Co Clare, Li Kai is bridging the geographical divide with The Xi’ an Si, a trio that reunites her with musicians from home and also introduces us to exquisite instruments like the guzheng, the emblematic Chinese zither whose bright singing tone is so evocative of the Irish harp, pipa, a teardrop shaped lute with deeply scalloped frets and the erhu, the two stringed upright fiddle with its soulful timbre.
Their musical journey starts on the Silk Road and ends a little closer to home, with Irish airs heard on these instruments, and its as if they were made for each other. Joining them en route is Francesco Turrisi, the young Italian musician who has made such an impression since moving to Ireland. Performing on accordion and frame drums, he convincingly bridges traditional music from around the Mediterranean with his Tarab quartet, which also includes saxophonist Nick Roth. Their jazz background is finely countered by traditional flautist Emer Mayock who, along with percussionist Robbie Harris, brings an innate understanding of melody and form in Irish music.
Berklee College
of Music in
Though
many Irish musicians are fluid improvisers, Berklee intends to help them build
on what they know, teaching the theory, skills, and stylistic considerations
needed to master the art of spontaneous composition. The workshop will be
offered to all musicians, from classical and Irish traditional, to pop, rock,
and jazz.
Every
student applying to Berklee is required to audition and interview live at the
Now Berklee
is investing in
Berklee
in
A free,
public improvisation symposium will be held on Wednesday, April 15, at 19:00.
On Friday, April 17, at a special closing event, the college will award
scholarships to its Five-Week Summer Performance Program in
For more
information on Berklee School of Music visit www.berkleemusic.com
Improvised Music Company
Supported by
The Goethe Institut & Culture
Present
12 Points!
Wednesday 11th – Saturday 14th February 2009
Doors open at 7pm each night | Performances from 7.30pm
Tickets: €20/ €18
Special Festival passes €60 for all four nights (limited availability and not available online)
"A four day event hot wired into the changing dynamic of the contemporary European jazz scene.” The Observer
“12 points has placed
Four nights, twelve young bands, the best
that
12 Points! The little festival with the big idea is back for its third edition to ask the only European question that really matters. Just who are the dozen bands from across the union that will light up 2009?
From Wed 11th to Sat 14th February, young
musicians from
It’s our most stylistically diverse line up
so far and makes clear that, like knobbly carrots, jazz around
Different preoccupations are abundant.
There’s lyricism at the piano with
Yes to Europe .Yes to
Listings Information
Date: Wednesday 11th February, 2009
Festival: 12 Points!
Time: Doors: 7pm, Performances
Bands:
19:30 Audiofeeling (
21:00 Morla (
22:30 Paavo (
Cover Charge: €20/€18
Venue:
Project Arts Centre,
Booking info:
Tel: 01 8819613/4 11am to 7pm Monday to Saturday
URL:
www.project.ie | www.12points.ie
Date: Thursday 12th February, 2009
Festival: 12 Points!
Time: Doors: 7pm, Performances
Bands:
19:30 Hyperactive Kid (
21:00 Aki Rissanen (
22:30 Luca Aquino Quartet (
Cover Charge: €20/€18
Venue:
Project Arts Centre,
Booking info:
Tel: 01 8819613/4 11am to 7pm Monday to Saturday
URL:
www.project.ie | www.12points.ie
Date: Friday 13th February, 2009
Festival:
12 Points!
Time: Doors: 7pm, Performances
Bands:
19:30 Albatrosh (
21:00 Curios (
22:30 Emile Parisien (
Cover Charge: €20/€18
Venue:
Project Arts Centre,
Booking
info:
Tel: 01 8819613/4 11am to 7pm Monday to Saturday
URL:
www.project.ie | www.12points.ie
Date: Saturday 14th February, 2009
Festival:
12 Points!
Time: Doors: 7pm, Performances
Bands:
19:30 Giulia Valle Group (
21:00 Zapp String Quartet (
22:30 Magnus Fra Gaarden (
Cover Charge: €20/€18
Venue:
Project Arts Centre,
Booking
info:
Tel: 01 8819613/4 11am to 7pm Monday to Saturday
URL:
www.project.ie | www.12points.ie
"A four day event hot wired into the changing dynamic of the contemporary European jazz scene.” – The Observer
“12 points has placed
At three years old, 12 Points! the festival
of new European jazz has endeared itself to music devotees in
The cream of Europe’s hottest young jazz
acts will convene for a four night stand at the Project Arts Centre in
Together, they’re powerful evidence that jazz is Europe’s shared musical language, a conduit for creative dialogue that transcends borders and a celebration of regional accents while individually, they embrace all the wilful diversity that keeps jazz young.
Programme details will be up on the website in January 2009 on www.12points.ie
Tickets are available through the Project Arts Centre box office ww.project.ie or telephone 01 881 9613/4
In February the future of European jazz is
in
Galway Jazz Festival 2008
Thursday 20th – Sunday 23rd November
Thursday 20th November
From NYC, Kenny Werner, solo piano €15
Aula Maxima NUI Galway
Friday 21stNovember
From Scandinavia & Japan, The Thing & Otomo Yoshihide €15
Nuns Island Studio, Nuns Island, Galway
Saturday 22nd November
From Amsterdam, Eric Vloeimans Gatecrash Quartet €15
The Crane Bar, 2 Sea Road, Galway
Sunday 23rd November
From London & Dublin, Guy Barker & Hugh Buckley €15
The Crane Bar, 2 Sea Road, Galway
SPECIAL FESTIVAL PASS PRICE: €50 FOR ALL 4 CONCERTS
Book online 24/7 www.townhalltheatregalway.com
Tel: 091-569777
Improvised music Company & Aiken Promotions
Regret to announce that
Orchestra Baobab
Live @ Vicar Street
Is now Cancelled
Due to unforeseen circumstances Orchestra Baobab have had to cancel their Vicar St. show this Saturday. All refunds are available through point of purchase.
We apologise for any inconvenience caused.
FRIDAY 29 AUGUST
AT FIRST LIGHT 15.00-16.00
This Belfast quintet are bright stars in the trad firmament, led with real drive and gusto by Uilleann Piper John McSherry and outstanding young fiddler Dónal O'Connor
FOVEA HEX 16.30 – 17.30
Ethereal and much anticipated project from Clodagh Simonds, marking this enigmatic Irish folk singer's artist's first foray into performance since the early 70s. An EP essential says The Ticket.
TERRY CALLIER 18.00- 19.00
A long overdue return to Ireland of the great Chicago born troubadour Terry Callier and his seamless blend of soul, folk, and jazz, whose creative flame shows no sign of dimming.
DOBET GNAHORE 19.45 – 21.00
One of the most vivacious performers in today's fertile West African music scene, with a percussion driven band that heavily features the balafon, with its ingenious system of rosewood keys and dried resonating gourds.
THINK OF ONE'S CAMPING SHAABI 21.30-22.45
The latest project from Belgian genre busters Think of One, with guest musicians from Morocco bringing a flavour of the addictive gnawa trance rhythms of the Atlas Mountains to Stradbally.
MILES ELECTRIC 23.15-00.30
Six of Ireland's leading jazz musicians including saxophonist Michael Buckley and trumpeter Paul Williamson with a scenery chewing workout on vintage 70s Miles Davis of the Bitches Brew and In a Silent Way period.
SATURDAY 30 AUGUST
MORNINGTON SINGERS 12.30- 13.45
Saturday morning catharsis with the thirty five glorious Irish voices of The Mornington Singers, with contemporary choral music that includes works by Arvo Pärt.
CRASH ENSEMBLE 14.15- 15.30
Donncha Dennehy leads Ireland's leading contemporary classical outfit with composers like Terry Riley and Steve Reich in their expansive bag, and the most eye popping instrumentation you'll see this weekend.
MSG 16.00-17.15
Asymmetric melody vies with searing grooves from this probing trio who mine the rhythmic riches of jazz and Indian music to forge something bold, with the striking New York saxophonist Rudresh Mahanthappa summoning up the spirit of late period John Coltrane.
YURODNY 17.45 – 19.00
Balkan party grooves a la Taraf De Haidouks from this Irish octet playing addictive originals from their very convincing debut release Odd Set
RACHEL UNTHANK & THE WINTERSET 19.30 – 20.45
Northumbria's Rachel Unthank and her band The Winterset is in the grand traditions English folk singers, and makes her picnic debut on the crest of her 2008 Mercury nomination.
MERCEDES PEON 21.15 – 22.30
Coming on strong like a Hispanic Sinead O'Connor, Galicia's Mercedes Peon sings, plays traditional pipes and frame drums, and is a free spirit with a unique take on the Celtic infused traditional music of Spain's rugged northwest.
SOHA 23.00-00.15
From Marseille, Franco Algerian Soha has a sassy pop aesthetic inspired by French musette, Jamaican dancehall and North Africa rai, and she's rounding off her summer at the picnic following a UK debut at Glastonbury. We agree with The Ticket, who says she's "One of the true finds of the festival."
HAVANA SON 00.45- 02.00
Dance to the genuine article, with this authentic and grooving take on son, the guitar driven acoustic idiom popularised globally by BVSC. Havana Son unites Ireland's leading Latin players, including singer Evelio Galan, who's soon off to tour the US with The Afro Cuban All Stars.
SUNDAY 31 AUGUST
DUBLIN CITY BIG BAND 12.30 – 13.30
Easy like Sunday morning with Dublin City Big Band, eighteen of the capital's finest jazz players, nailing the orchestral hits of Basie, Ellington and Quincy Jones with special guest, crooner Cormac Kenevey.
FARMERS MARKET 14.15 – 15.15
Live, they're an institution at home in Norway, willfully fusing old Broadway show tunes with frenetic Balkan grooves. Mordant humour meets some amazing musicianship, especially from farmer in chief, accordion and banjo man extraordinaire Stian Carstensen.
LOU RHODES 15.30- 16.00
As one half of Lamb, Manchester's Lou Rhodes known for her personal approach to drum 'n' bass, but this solo set is a more folk oriented affair, sparse, organic and quietly compelling.
CEILI HOUSE ALL STARS 16.30- 17.30
Jigs, slides and polkas from the great mephisto of West Kerry dance music. Resistance is useless when Begley's accordion and guitar partner Tim Edey work up a head of steam, and watch out for the fleet moves of Sean nós dancer Seosaimh O'Neachtain.
IARLA Ó LIONÁIRD'S INVISIBLE FIELDS 18.00 – 19.00
The sean nós master sings the songs of his native Cuil Aodha in a dramatic electronic domain, where that contrast of new and old, digital and acoustic, is made bolder with the addition of fiddler of the moment Caoimhín Ó Raghallaigh. Ticket recommended.
JAH WOBBLE'S CHINESE DUB 19.30- 20.45
Commissioned by Liverpool City of Culture 2008, Jah Wobble's Chinese Dub augments his regular crew with guest Chinese musicians, and has had summer festival audiences happily grooving across the east /west divide, as the ex PIL bassist's rumbling dub creates a sturdy foundation for a musical journey along the spice routes
DENGUE FEVER 21.15- 22.30
If you come for Jah Wobble , you'll stay for more Asian adventures with LA's Dengue Fever, an oddly compelling pairing of 60's Cambodian surf pop and West Coast psychedelia that is more than the sum of it's parts, aptly named and strangely infectious.
MAHMOUD FADL'S UNITED NUBIAN 23.00 – 00.15
Master Egyptian hand drummer Mahmoud Fadl and his United Nubians crew are on hand to provide a trance inducing exposition of rhythms from the Nile Delta.
IBRAHIM ELECTRIC 00.45- 02.00
Europe's funkiest organ trio are Copenhagen's Ibrahim Electric, a glorious swamp thing of brawny drumming, dirty distorted sounds from the belly of a Hammond B3, and rock steady guitar riffs indebted to Fela Kuti's afrobeat.
The Pleasure Grounds, Farmleigh, Phoenix Park, Dublin 15
Event is FREE but Ticketed
To book: www.farmleighaffair.com (from 4th July)
Sunday 3rd August: Mornington Singers | Grada | Carmen Souza | Hazmat Modine | Justin Adams | Juldeh Camara
Monday 4th August: Motema | Mor Karbasi | Lo Cor De La Plana | Iarla Ó Lionáird & Invisible Fields | Grupo Fantasma
Is there another summer music festival that loves you like The Farmleigh Affair?
With two days of performances from many of the worlds leading musicians, minutes from Dublin's centre yet in one of its most beautiful garden settings, and tickets entirely free, we think not.
Building on the Affair's growing reputation as the strongest world music line up of the summer , we've assembled some exotic musical blooms to further adorn Farmleigh's scenic Pleasure Grounds, with artists traveling from France, The UK, Congo, Cape Verde, Portugal, The Gambia and The US to perform over the August Bank Holiday weekend. Joining them are leading groups from right across the Irish spectrum, from choral to traditional music.
First arrivals on Sunday 3rd will be greeted by the thirty five strong Mornington Singers, raising the roof of Lord Iveagh's ancestral home with an uplifting programme of contemporary choral music that includes works by Arvo Pärt. Going to work on other parts of your musical brain will be Grada, the energetic and charismatic five piece based in Galway who are making their own creative waves among the many emerging bands in Ireland's resurgent traditional scene, with original tunes and great musicianship.
Carmen Souza in another artist on the right trajectory. Raised in Lisbon, she's grown up steeped in the music and identity of the Cape Verdean Islands of her birth, updating their emblematic morna rhythms with an afro jazz twist, and with a keen ear for songwriting gleaned from the fado of her adopted home city.
Hazmat Modine could only have come from one city, and New York seeps out of every musical pore of this willfully eccentric slice of Americana that embraces everything from jug bands and Jamaican rocksteady to country blues and klezmer. Its all delivered with deadpan charm from a band that includes harmonicas, tuba, Hawaiian steel guitar and other staples of the self respecting junkyard orchestra.
The blues get a further workout with Justin Adams, guitarist with Robert Plant and producer of Tinariwen, and Gambia's leading exponent of the ritti one string fiddle Juldeh Camara, in a partnership between rock 'n' roll and African roots that has yielded some of the gutsiest riffs you will hear this year.
Our African theme continues into Monday 4th with an opening set from Motema, Ireland's first authentic soukous band, led by Congolese guitarist and proud Corkman since 2004 Niwel Tsumbu.
With a Moroccan mother and a Persian father, London based Israeli singer Mor Karbasi also brings us evidence of how migration drives music in today's Europe. She's also a beautifully emotive singer, especially in Ladino, the old language of the Sephardic Jews, and their poignant songs heavily influenced by flamenco and Moorish culture.
Language is also at the heart of Lo Còr De La Plana, who are reviving Occitan, the dialect of their native Marseilles. They're one of the most arresting sights you'll see this summer, six youthful and full blooded singers with nothing but foot stomps, hand claps and North African frame drums for accompaniment, belting out the acapella dance tunes they've saved from obscurity with a rhythmic gusto that's simply irresistible.
If its voices you're after, few remain unmoved by that of Iarla Ó Lionáird, who performs at The Farmleigh Affair with Invisible Fields, the group that places the sean nós songs of his native Cuil Aodha in a dramatic electronic domain, where that contrast of new and old, digital and acoustic, is made bolder with the recent addition of fiddler of the moment Caoimhín Ó Raghallaigh.
Fittingly, the closer for our culturally diverse, musically uplifting send off to the last bank holiday of the summer will also be a wrap party for Grupo Fantasma, winding up a long summer on the road that has taken in festivals like Montreal Jazz, Dranouter and North Sea before they head back to their home base in Austin, Texas. Not for nothing have Fantasma earned a reputation as today's hottest, hardest working Latin Orchestra, where they've been opening for Prince's American dates, serving up some seriously funky salsa and old school boogaloo,
There'll be refreshments available, along with tasty treats from organic producers to keep you going, and Farmleigh is the perfect spot for a picnic if you want to bring your own spread. If it's all too much excitement, you can always relax with a stroll in the gardens, a look around the galleries, or take a tour of the historic house.
The Farmleigh Affair is completely free but you will require tickets, limited to four per person and available from www.farmleighaffair.com from Friday 4th July onwards. Going by last year, we anticipate huge demand for this unique and much anticipated event so apply early!
Party over here, as Lord Iveagh might put it.
While the Farmleigh Affair is a free event, admittance is strictly by ticket only. You will require tickets to gain entrance to The Pleasure Grounds, to the rear of the house, where the Farmleigh Affair takes place.
If you have received tickets surplus to your requirements, we would really appreciate if you could return them to us on the day to the Info Tent in front of the main house on your way into the concert area. We've received feedback that a small number of people have been sent multiple allocations of tickets which may be due to an admin error when tickets were being despatched - if you are among them, it would again, be great if you bring the tickets along with you on the day and return them to us.
Tickets for the Affair were allocated in record time this year and we have lots of people who still want to attend and will be grateful if they could use them!
We have every faith in An Post, and by now you should have received your tickets. In the unlikely event that have been delayed or misdirected, please see us at the Info Tent in front of the main house and while we cant guarantee availability, we will do our best to accommodate you with return tickets. Please be advised that returns will be limited and will be dispensed on the day on a first come first served basis
Please note that all other amenities at Farmleigh will be open as usual, including the organic market, galleries and tours of the house, and these activities are all free and non-ticketed. If you wish to avail of these other amenities while attending The Farmleigh Affair, make sure to retain your ticket stub for return entry to the concert site.
AGE
The Farmleigh Affair welcomes people of all ages, and everyone attending (including children) needs a ticket for health and safety reasons. Please note that under 18s must be accompanied by an adult.
TIMES
The Farmleigh estate will operate normal opening hours on both days at 10am.
However, please note that access to The Pleasure Grounds, where the Farmleigh Affair takes place, is from 12noon. First act is on stage at 12.30, last act on stage at 6pm, and music finishes at 7pm. Last entrance to the estate is at 4.45pm.
GETTING THERE
CAR/ BUS
Farmleigh is accessed via the Phoenix Park. If you're travelling by car, enter the Phoenix Park from Parkgate Street, follow the main avenue almost to the end, taking the last turn on the left signposted for Farmleigh.
Entering the Phoenix Park from Castleknock, take the first turn on the right signposted for Farmleigh. If travelling by Dublin Bus take the number 37 bus from Hawkins Street to the Castleknock Gate.
ON FOOT
Enter the Phoenix Park and take the pedestrian pathway to your right. Following the directional signs, Farmleigh is a fifteen-minute walk from the Castleknock Gate.
LUAS
If travelling by the Luas, get off at Heuston, cross the river and turn left on to Parkgate Street, from where you can have a very healthy walk of 50 minutes approx, , or take the groovy new shuttle bus.
SHUTTLE BUS
An OPW shuttle bus service is now in operation in Phoenix Park to transport passengers around the park. The service operates every 20 minutes from a terminus outside the park beside the Luas bridge at Parkgate Street, and the fare is €1. On weekends and bank holidays it operates from 10am, concluding at 7.00pm each day. The bus travels to the Zoo, then along the back road to Cabra and Ashtown gates, over to Farmleigh, down to the papal cross and the visitor's centre before returning to Parkgate Street.
PARKING
Ample free Parking is available on the estate. The Office of Public Works cannot accept liability for damages to vehicles while parked on the estate.
WEATHER
A sensitive topic in The Farmleigh Affair Production Office!
Met Eireann says "Sunday and Monday should be longer drier periods during daytime on these days when it may be quite sunny and pleasant."
Not convinced?
The Irish Times, today Wed 30th July, says
Sunday will be "Foggy patches to start, then bright spells and mainly dry, Temp 16-20c."
Monday will be "Fog early on, and then generally dry with sunny periods. Temp 17-21c."
Our advice? Bring factor 50 and a sou'wester.
CATERING
We have an eclectic line up of caterers at The Farmleigh Affair, including a wood fired barbeque, strawberries and cream, Italian coffee, organic wines and a Mr Whippy! Farmleigh is great for al fresco eating and we encourage you to bring along your own spread if you like - we've created a seated picnic area at the rear of the concert site. Some of Ireland's finest artisan food producers will be at Farmleigh's organic market on both Sunday and Monday if you want to purchase other foods, but please remember to retain your ticket stub for readmittance to the concert area.
WHAT TO BRING
Seating will not be provided at The Farmleigh Affair, so feel free to bring along picnic blankets, cushions and your favourite deck chair.
For the Irish weather bring along sunblock and appropriate clothing in the racing certainty of changeable weather.
Please note that Farmleigh does not have an ATM, so bring cash if you want to make purchases on site, such as food, drinks or CDs by participating artists.
WHO ARE PERFORMING
For more information on who will be performing please visit www.farmleighaffair.com
Sunday 3rd August
Mornington Singers
Grada
Carmen Souza
Hazmat Modine
Justin Adams & Juldeh Camara
Monday 4th August
Motema
Mor Karbasi
Lo Cor De La Plana
Iarla Ó Lionáird’s Invisible Fields
Grupo Fantasma
WATCH OUT FOR OUR OTHER BRILL PERFORMERS!
Mr. Toons
The delightful Mr. Toons brings his unique brand of inflatable idiocy to Farmleigh. All the way from Copenhagen, he has been a working clown since the tender age of ten, and he still shows no sign of growing up. He’s an award winning performer, highly original and very funny, and embraces many aspects of street circus from unicycle, juggling and acrobatics, as well as some truly death defying stunts with a giant green balloon.
http://www.mr-toons.dk/
The Amani Acrobats
Aziz, Jamal and Futto are The Amani Acrobats, a troupe of East African acrobats from Somalia and Tanzania who have performed at all the major festivals in Ireland, most recently at the World Street Performers Championships. Their skills are extensive and include fire limbo, African style dance, balancing acts, comedy, djembe drumming and acrobatic feats including human pyramids and contortion. They are based in Cork and often teach in Cork Circus workshops, schools and youth clubs.
FREE tickets for the Farmleigh Affair will be available from tomorrow, Friday 4th July on www.farmleighaffair.com
Be in with a chance to get a ticket to experience one of Dublin's most exquisite properties being opened for two days of music from around the world.
In 2008, OPW's salon music series spreads its wings to take in three beautiful locations within the OPW's portfolio of historic properties, with Kilkenny Castle's Great Hall and Castletown's Long Gallery now joining the ballroom at Farmleigh as the place to be for the summer's most memorable concerts. All three have a perfect ambience and natural acoustic, and are set in the most dramatic surroundings a music lover could ask for.
The English Acoustic Collective get the Salon Music series off to a glowing start in the glorious surroundings of the beloved Ballroom in Farmleigh, Dublin. BBC Music describes their work as "Compelling, sinewy stuff ... anyone who cherishes musical adventure with a firm grounding will be enthralled." And many have. The English Acoustic Collective have won countless hearts and minds with their raw and passionate explorations of England's folk music, old and new. Fittingly, the collective brings together three innate storytellers in Rob Harbron, John Dipper and renaissance man Chris Wood, a regular visitor to Ireland for always highly anticipated solo concerts.
Next the musical line-up travels to Hungary. Now in their 25th year together, Muzsikas have always been fuelled by the revival in traditional music that was taking place in Hungary a quarter of a century ago, just as it was here. Few stones have since remained unturned, and they have truly brought their music to the world, recording ten albums, often accompanying their compatriot Marta Sebestyen, most memorably in The English Patient soundtrack, performing in the great halls like New York's Carnegie, and working with groups like The Balanescu Quartet. In the hands of these four superb musicians, the lines we draw between the classical and the traditional cease to be important, and all that remains is life affirming music.
Dublin based Lunfardia take you on a trip to the New World, as their freewheeling repertoire embraces Tangos and Milongas from Buenos Aires, rough-hewn Chacareras from the Argentinean pampas, breezy Bolivian Huaynos, grooving Joropos from Venezuela and speedy choros from Brazil. So much musical ground is covered with casual artistry and engaging authenticity, a combination brought together by the charismatic and enduring partnership of Argentinean guitarist and singer Ariel Hernandez, and Ireland's leading classical accordionist Dermot Dunne. Ioana Petcu-Colan's bright singing violin takes flight here, while Malachy Robinson, her bass playing colleague from the Irish Chamber Orchestra, is also liberated in his gutsy rhythmic role alongside the outstanding Peruvian percussionist Frank Vidal.
The closing of July brings a collaboration of African stars together in a remarkable finale to the Salon Music series. Ballake Sissoko, Driss El Maloumi, and Rajery would each have been a fine conclusion in their own right, but to host all three of them together could be something very special. Mali's Ballake Sissoko is a master of the kora, the intoxicating 21 stringed harp that is central to West Africa's unique culture of the griot musician and storyteller. From the Maghreb comes Morocco's Driss el Maloumi, whose nickname "the oud magician" accurately conveys his mastery of the lute like instrument that's so broodily evocative of life in the Arabic world. From far out in the Indian Ocean, comes Rajery, under whose hands the zither-like valiha, the national instrument of his native Madagascar, sings brightly. Together they've found effortless common ground where west, north and east Africa converging in an uplifting string symphony.
Curated by the Improvised Music Company, these concerts bring the world's leading jazz, traditional and classical musicians into the very heart of Irish heritage.
Tickets to each of these intimate salon concerts are awarded by a lottery system online and are limited, so your earliest online application is advised to avoid disappointment. For further information on ticketing please visit www.salonmusic.ie
-ends-
Listings Information:
English Acoustic Collective
Tuesday 1st July, 8pm: The Ballroom, Farmleigh, Castleknock, Dublin 15
Wednesday 2nd July, 8pm: The Long Gallery, Castletown House, Celbridge, Co. Kildare
Thursday 3rd July, 8pm: The Great Hall, Kilkenny Castle, Co Kilkenny
Chris Wood-vocals, guitar, fiddle | Rob Harbron–concertina | John Dipper – fiddle
"Compelling, sinewy stuff ... anyone who cherishes musical adventure with a firm grounding will be enthralled." - BBC Music
Raw and passionate explorations of England's folk music, old and new. The collective brings together three innate storytellers in Rob Harbron, John Dipper and renaissance man Chris Wood
Muzsikas
Tuesday 8th July, 8pm : The Great Hall, Kilkenny Castle, Co Kilkenny
Wednesday 9th July, 8pm: The Long Gallery, Castletown House, Celbridge, Co. Kildare
Thursday 10th July, 8pm: The Ballroom, Farmleigh, Castleknock, Dublin 15
Mihály Sipos - violin, citera, vocal | László Porteleki -violin, koboz, vocal | Péter Éri -viola, mandolin, flutes, vocal | Dániel Hamar - bass, gardon, vocal
"Raucously beautiful music." – The New York Times
Few stones have been left unturned by these revivalists of Hungarian traditional music over the past 25 years. In the hands of these four superb musicians, the lines we draw between the classical and the traditional cease to be important, and all that remains is life affirming music.
Lunfardia
Tuesday 15th July, 8pm: The Great Hall, Kilkenny Castle, Co Kilkenny
Wednesday 16th July, 8pm: The Long Gallery, Castletown House, Celbridge, Co. Kildare
Thursday 17th July, 8pm: The Ballroom, Farmleigh, Castleknock, Dublin 15
Ariel Hernandez - guitars, vocals | Dermot Dunne – accordion | Ioana Petcu-Colan–violin/Malachy Robinson–bass/Frank Vidal-percussion
"Milongas, tangos and chacareras, each one tumbling after the other with a mix of wry nonchalance and highly disciplined precision." - The Irish Times
A freewheeling repertoire embracing Tangos and Milongas from Buenos Aires, rough-hewn Chacareras from the Argentinean pampas, breezy Bolivian Huaynos, grooving Joropos from Venezuela and speedy choros from Brazil.
Ballake Sissoko, Driss El Maloumi, Rajery
Tuesday 22nd July, 8pm: The Great Hall, Kilkenny Castle, Co Kilkenny
Wednesday 23rd July, 8pm: The Ballroom, Farmleigh, Castleknock, Dublin 15
Thursday 24th July, 8pm: The Long Gallery, Castletown House, Celbridge, Co. Kildare
Ballake Sissoko – kora| Driss El Maloumi – oud | Rajery - valiha
West, north and east Africa converge in an uplifting string symphony, as the trio from Mali, Morocco and Madagascar display unending talent on their native koro, oud and valiha.
OPW Salon Music
July 2008
Farmleigh | Castletown | Kilkenny Castle
English Acoustic Collective | Muzsikas | Lunfardia | Ballake Cissokho, Driss El Maloumi, Rajery
Tickets are free (awarded by lottery)
To be in with a chance go to: www.salonmusic.ie
In 2008, OPW's salon music series spreads its wings to take in three beautiful locations within the OPW's portfolio of historic properties, with Kilkenny Castle's Great Hall and Castletown's Long Gallery now joining the ballroom at Farmleigh as the place to be for the summer's most memorable concerts. All three have a perfect ambience and natural acoustic, and are set in the most dramatic surroundings a music lover could ask for.
The English Acoustic Collective get the Salon Music series off to a glowing start in the glorious surroundings of the beloved Ballroom in Farmleigh, Dublin. BBC Music describes their work as "Compelling, sinewy stuff ... anyone who cherishes musical adventure with a firm grounding will be enthralled." And many have. The English Acoustic Collective have won countless hearts and minds with their raw and passionate explorations of England's folk music, old and new. Fittingly, the collective brings together three innate storytellers in Rob Harbron, John Dipper and renaissance man Chris Wood, a regular visitor to Ireland for always highly anticipated solo concerts.
Next the musical line-up travels to Hungary. Now in their 25th year together, Muzsikas have always been fuelled by the revival in traditional music that was taking place in Hungary a quarter of a century ago, just as it was here. Few stones have since remained unturned, and they have truly brought their music to the world, recording ten albums, often accompanying their compatriot Marta Sebestyen, most memorably in The English Patient soundtrack, performing in the great halls like New York's Carnegie, and working with groups like The Balanescu Quartet. In the hands of these four superb musicians, the lines we draw between the classical and the traditional cease to be important, and all that remains is life affirming music.
Dublin based Lunfardia take you on a trip to the New World, as their freewheeling repertoire embraces Tangos and Milongas from Buenos Aires, rough-hewn Chacareras from the Argentinean pampas, breezy Bolivian Huaynos, grooving Joropos from Venezuela and speedy choros from Brazil. So much musical ground is covered with casual artistry and engaging authenticity, a combination brought together by the charismatic and enduring partnership of Argentinean guitarist and singer Ariel Hernandez, and Ireland's leading classical accordionist Dermot Dunne. Ioana Petcu-Colan's bright singing violin takes flight here, while Malachy Robinson, her bass playing colleague from the film izle Irish Chamber Orchestra, is also liberated in his gutsy rhythmic role alongside the outstanding Peruvian percussionist Frank Vidal.
The closing of July brings a collaboration of African stars together in a remarkable finale to the Salon Music series. Ballake Sissoko, Driss El Maloumi, and Rajery would each have been a fine conclusion in their own right, but to host all three of them together could be something very special. Mali's Ballake Sissoko is a master of the kora, the intoxicating 21 stringed harp that is central to West Africa's unique culture of the griot musician and storyteller. From the Maghreb comes Morocco's Driss el Maloumi, whose nickname "the oud magician" accurately conveys his mastery of the lute like instrument that's so broodily evocative of life in the Arabic world. From far out in the Indian Ocean, comes Rajery, under whose hands the zither-like valiha, the national instrument of his native Madagascar, sings brightly. Together they've found effortless common ground where west, north and east Africa converging in an uplifting string symphony.
Curated by the Improvised Music Company, these concerts bring the world's leading jazz, traditional and classical musicians into the very heart of Irish heritage.
Tickets to each of these intimate salon concerts are awarded by a lottery system online and are limited, so your earliest online application is advised to avoid disappointment. For further information on ticketing please visit www.salonmusic.ie
-ends-
Listings Information:
English Acoustic Collective
Tuesday 1st July, 8pm: The Ballroom, Farmleigh, Castleknock, Dublin 15
Wednesday 2nd July, 8pm: The Long Gallery, Castletown House, Celbridge, Co. Kildare
Thursday 3rd July, 8pm: The Great Hall, Kilkenny Castle, Co Kilkenny
Chris Wood-vocals, guitar, fiddle | Rob Harbron–concertina | John Dipper – fiddle
"Compelling, sinewy stuff ... anyone who cherishes musical adventure with a firm grounding will be enthralled." - BBC Music
Raw and passionate explorations of England's folk music, old and new. The collective brings together three innate storytellers in Rob Harbron, John Dipper and renaissance man Chris Wood
Muzsikas
Tuesday 8th July, 8pm : The Great Hall, Kilkenny Castle, Co Kilkenny
Wednesday 9th July, 8pm: The Long Gallery, Castletown House, Celbridge, Co. Kildare
Thursday 10th July, 8pm: The Ballroom, Farmleigh, Castleknock, Dublin 15
Mihály Sipos - violin, citera, vocal | László Porteleki -violin, koboz, vocal | Péter Éri -viola, mandolin, flutes, vocal | Dániel Hamar - bass, gardon, vocal
"Raucously beautiful music." – The New York Times
Few stones have been left unturned by these revivalists of Hungarian traditional music over the past 25 years. In the hands of these four superb musicians, the lines we draw between the classical and the traditional cease to be important, and all that remains is life affirming music.
Lunfardia
Tuesday 15th July, 8pm: The Great Hall, Kilkenny Castle, Co Kilkenny
Wednesday 16th July, 8pm: The Long Gallery, Castletown House, Celbridge, Co. Kildare
Thursday 17th July, 8pm: The Ballroom, Farmleigh, Castleknock, Dublin 15
Ariel Hernandez - guitars, vocals | Dermot Dunne – accordion | Ioana Petcu-Colan–violin/Malachy Robinson–bass/Frank Vidal-percussion
"Milongas, tangos and chacareras, each one tumbling after the other with a mix of wry nonchalance and highly disciplined precision." - The Irish Times
A freewheeling repertoire embracing Tangos and Milongas from Buenos Aires, rough-hewn Chacareras from the Argentinean pampas, breezy Bolivian Huaynos, grooving Joropos from Venezuela and speedy choros from Brazil.
Ballake Sissoko, Driss El Maloumi, Rajery
Tuesday 22nd July, 8pm: The Great Hall, Kilkenny Castle, Co Kilkenny
Wednesday 23rd July, 8pm: The Ballroom, Farmleigh, Castleknock, Dublin 15
Thursday 24th July, 8pm: The Long Gallery, Castletown House, Celbridge, Co. Kildare
Ballake Sissoko – kora| Driss El Maloumi – oud | Rajery - valiha
West, north and east Africa converge in an uplifting string symphony, as the trio from Mali, Morocco and Madagascar display unending talent on their native koro, oud and valiha.
Change to the John McLaughlin
line up as Hadrien Feraud has broken his metacarpal bone on his right hand and
Mike Nielsen added to bill
Hadrien Feraud had an accident and
broke one of his fingers on his right hand. It was thought he could join the
tour after May 28th after having his finger in a splint for almost three weeks.
Unfortunately he had to be operated last Saturday and will not be able to play
during this in
In this bad luck, we are lucky that Dominique Di Piazza, John's previous
bassist, is available and will replace Hadrien for the whole tour.
The IMC would like to wish Hadrien
Feraud a speedy recovery.
Other news is that the evening will feature an open slot from Sligo-born
guitarist Mike Nielsen who, as the Sunday Tribune describes 'stands out as the
most original voice of the younger generation'
Further details on artists:
Hadrien Feraud: www.myspace.com/feraudhadrien
Dominique Di
Piazza: http://www.myspace.com/dominiquedipiazza
Improvised Music Company
Presents
From New York
Dave Binney Quartet
Dave Binney-alto sax/ Craig Taborn-piano / Scott Colley-bass / Brian Blade-drums
"A strikingly original composer, bandleader and conceptualist." - Downbeat
"A performance of extraordinary flexibility and invention." – The Irish Times
Not many musicians could assemble a pool of talent that includes Wayne Shorter's drummer, Jim Hall's bassist and New York's currently hippest pianist, but such is the regard in which the world's leading players hold saxophonist and composer Dave Binney.
He's no stranger to Irish audiences, who've grown to appreciate his remarkable gift for melody and small group orchestration, most recently in a jammed Whelan's in November 2005.
The clear incentive for artists of the calibre of Brian Blade, Craig Taborn and Scott Colley, each pillars of creativity in their own right, is Binney's brilliant and wholly original music. Here is a musician who embodies the dictum of 'jazz as the sound of surprise', with a unique compositional signature that romps freely across all manner of genres, from asymmetric funk and power chords to free improv and moody electronica.
Unburdened by jazz history, yet clearly steeped in it, Binney conjures up multifaceted music that succeeds on every level, poised between eclecticism and purity, access and intrigue, and always tempered by a genuine lyricism.
Tour Details:
Venue: Solstice, Railway Street, Navan;
Date/ Time: Saturday 10th May - 7.30pm
Tickets: €23/ 20
Box Office: 046 909 2300
Website: www.solsticeartscentre.com
------------------------------------------------------------
Venue: Black Box, Hill Street, Belfast;
Date/ Time: Sunday 11th May – 8pm
Tickets: £10.00
Box Office: +44 (0) 28 9024 6609
Website: www.cqaf.com
----------------------------------------------------------
Venue: Whelans, Wexford Street,
Dublin 2
Date/ Time: Monday 12th May – 8pm
Tickets: €23
Box Office: 01 670 3885
Website: www.ticketmaster.ie
Improvised Music Company
Presents
From New York
Dave Binney Quartet
Dave Binney-alto sax/ Craig Taborn-piano / Scott Colley-bass / Brian Blade-drums
"A strikingly original composer, bandleader and conceptualist." - Downbeat
"A performance of extraordinary flexibility and invention." – The Irish Times
Not many musicians could assemble a pool of talent that includes Wayne Shorter's drummer, Jim Hall's bassist and New York's currently hippest pianist, but such is the regard in which the world's leading players hold saxophonist and composer Dave Binney.
He's no stranger to Irish audiences, who've grown to appreciate his remarkable gift for melody and small group orchestration, most recently in a jammed Whelan's in November 2005.
The clear incentive for artists of the calibre of Brian Blade, Craig Taborn and Scott Colley, each pillars of creativity in their own right, is Binney's brilliant and wholly original music. Here is a musician who embodies the dictum of 'jazz as the sound of surprise', with a unique compositional signature that romps freely across all manner of genres, from asymmetric funk and power chords to free improv and moody electronica.
Unburdened by jazz history, yet clearly steeped in it, Binney conjures up multifaceted music that succeeds on every level, poised between eclecticism and purity, access and intrigue, and always tempered by a genuine lyricism.
Tour Details:
Venue: Solstice, Railway Street, Navan;
Date/ Time: Saturday 10th May - 7.30pm
Tickets: €23/ 20
Box Office: 046 909 2300
Website: www.solsticeartscentre.com
------------------------------------------------------------
Venue: Black Box, Hill Street, Belfast;
Date/ Time: Sunday 11th May – 8pm
Tickets: £10.00
Box Office: +44 (0) 28 9024 6609
Website: www.cqaf.com
----------------------------------------------------------
Venue: Whelans, Wexford Street,
Dublin 2
Date/ Time: Monday 12th May – 8pm
Tickets: €23
Box Office: 01 670 3885
Website: www.ticketmaster.ie
Improvised Music Company
Supported by
The Goethe-Institut & Culture Ireland
Present
12 Points!
Europe’s New Jazz
Wednesday 5th – Saturday 8th March 2008
Doors open at 7pm each night
Project Arts Centre, East Essex Street, Temple Bar D2
Tickets on sale now through Project Arts Centre
Tel: 01 8819613/4 11am to 7pm Monday to Saturday
or go to www.project.ie
"A four day event hot wired into the changing dynamic of the contemporary European jazz scene.” – The Observer
"12 Points showed just how diverse, vibrant and imaginative music has become in the Old World. Already unique, it has the potential to grow into something important, like the Sundance film festival." - The Irish Times
12 Points! 2008 Nightly line up
Wed 5th March:19:30 Giovanni Guidi 4tet( Rome)
21:00 Shreefpunk (Cologne)
22:30 Paschal Schumacher (Luxembourg)
Thu 6th March: 19:30 Saga 4tet (Vilnius)
21:00 Kadri Voorand (Tallinn)
22:30 Oddarrang (Helsinki)
Fri 7th March: 19:30 Urs Bollhalder Trio (Lucerne),
21:00 Togetherness (Dublin)
22:30 Ibrahim Electric (Copenhagen)
Sat 8th March: 19:30 Radio String Quartet Vienna (Vienna)
21:00 Bourne/Davis/Kane (Leeds/Dublin),
22:30 The Core (Oslo)
Described by the Boston
Globe as "A pristine pianist with a poet's soul" Hersch, a
pianist noted for his extraordinary technique will be joined by two other exceptional musicians, bassist John Hebert and drummer Eric McPherson, for this short Irish tour.
The tour will take in Aula
Maxima in Galway on the 15th of November, Triskel Arts Centre in Cork on the
16th and finally Pavilion Theatre in Dun Laoghaire Co. Dublin on Sunday
17th .
In the wake of the Tomasz Stanko Quartet's highly successful nationwide tour and in anticipation of Paolo Fresu's Sonos E' Memoria on the 7th of October, IMC is happy to announce the imminent arrival of yet another of the World's great trumpet players: Boban Markovic.
Hailing from Serbia, Markovic's breath-taking virtuosity has won him renown both within his own Balkan tradition and on the international stage and is considered by most to be the greatest living Balkan trumpeter.
Markovic, whose 14 piece brass orchestra has delighted audiences worldwide touring extensively throughout Europe and America, will play 5 dates around the country in December:
5th of December- Donegal Arts Centre Letterkenny
6th of December - Model & Niland Arts Centre Sligo
7th of Decmeber- Mermaid Arts Centre Bray
8th of December- Curtis Auditorium Cork
9th of December- Button Factory (formerly TBMC) Dublin
In association with Pioneer Investments Supported by
Paolo Fresu – trumpet, flugelhorn
Furio di Castri - bass
Elena Ledda – vocals
Luigi Lai - launeddas
Mauro Palmas – mandola
Antonello Salis - accordion
Federico Sanesi – percussion
Carlo Cabiddu - violoncello
The voices of Concordu ‘e su Rosariu
Mario Corona – contra
Giovanni Ardu - bassu
Antonio Migheli ‘oghe
Roberto Iriu – contraltu
Soundings* Tour September 2007
18-23rd of September 2007
As he enters his 6th decade, trumpeter Tomasz Stanko is enjoying the level of recognition that his career long artistry so clearly warrants, and much of it has been stimulated by his recent output for ECM, for whom he has now recorded seven titles as leader. With 2002’s Soul of Things and more recent work like Suspended Night and Lontana, his prodigious gift is distilling down into crystalline documents that attest to the power of time, experience and single minded pursuit of the artist’s own voice.
Its a voice that readily acknowledges the influence of Miles Davis both in practise and in spirit, and Soul of Things drew unanimous praise for its evocation of the landmark that is Kind of Blue, a comparison not made lightly among jazz aficionados. Stanko wears the mantle with ease, and in his ability to manipulate space and time, his control of group chemistry, and textural shifts from convention to dissonance, its clear a similar alchemy is at work.
His description of his own musical journey as one “from chaos to order, from fury to lyricism” is apt. Like many of his peers, the free music of the 60’s exerted a gravitational pull, and his formative years were spent with key European groups like the Globe Unity Orchestra, a lengthy sojourn with Finland’s Edward Vesala, and occasional projects with Cecil Taylor. Later, his work with Polish film composer Krzysztof Komeda would stimulate a more reflective aspect, and Stanko’s own compositions today carry a similar quality of sombre, film noir.
Like Miles, Stanko has the gift of mentoring, and since 1994, he has fostered an extraordinary trio of young Polish musicians in pianist Marcin Wasilewski, bassist Slawomir Kurkiewicz and drummer Michal Miskiewicz, with whom he has built an almost telepathic rapport. Still in their early 20’s, his protégés have made their own ECM debut and in Kurkiewicz, the label has another pianist of poetic scope.
Between them, these four musicians span the generations and articulate the notion of a European jazz aesthetic with an irresistible clarity. For Stanko, one of its most independent spirits, its just reward for a lifetime’s commitment to jazz and its governing principles, the primacy of the individual, freedom borne of discipline and the beauty in discovery. See up-coming events calendar for full details
*The Tomasz Stanko Tour is funded by The Touring Experiment and produced by IMC on behalf of The Soundings Partnership of Limerick and Galway Jazz Societies, Sligo Jazz Project, Moving On Music, Triskel, Mermaid, Solstice , Garter Lane & Source Arts Centres. For information on further Soundings Tours, see www.improvisedmusic.ie
TICKETING
While the
Farmleigh Affair is a free event, admittance is strictly by ticket
only, without exception. You will require tickets to gain entrance to
The Pleasure Gardens, to the rear of the house, where the Farmleigh
Affair takes place. Please note that all other amenities at Farmleigh
will be open as normal, including the organic market, boathouse
restaurant, galleries and tours, and no tickets are required for these
activities. If you wish to avail of these other amenities while
attending The Farmleigh Affair, make sure to retain your ticket stub
for re-admittance to the concert site. If you have received tickets
surplus to your requirements, please return them to us on the day. IMC
will have a small pagoda tent in front of the house, which you will
pass on your way to the Pleasure Gardens, where you can drop off any
tickets you don't need.
Please note that under 18s must be accompanied by an adult.
TIMES
The
Farmleigh estate will open as normal on both days at 10am. However,
please note that access to The Pleasure Grounds, where the Farmleigh
Affair takes place, is from 12 noon. First act is on stage at 12.30pm
and we really encourage you to get along early in the day to catch all
of the great musicians playing The Farmleigh Affair. Last act is on
stage at 6.30pm , and music finishes at 7.30pm. Last entrance to the
estate is at 4.45pm.
GETTING THERE
Farmleigh is accessed via the Phoenix Park. If you're travelling by car, enter the Phoenix Park from Parkgate Street,
follow the main avenue almost to the end, taking the last turn on the
left signposted for Farmleigh. Entering the Phoenix Park from Castleknock, take the first turn on the right signposted for Farmleigh. If travelling by Dublin Bus Take the number 37
bus from Hawkins Street to the Castleknock Gate. Enter the Phoenix Park
and take the pedestrian pathway to your right. Following the
directional signs, Farmleigh is a fifteen-minute walk from the
Castleknock Gate.
Some festivals say that they're boutique events, but The Farmleigh Affair is positively snug with just 4,000 tickets, and every one of them is free. 2007 sees our biggest affair yet, with musicians from Africa, Brazil, Australia and The Balkans joining some exceptional Irish talent for a culturally diverse and musically uplifting send off to the last bank holiday of the summer.
Among them is cello wielding songbird Vyvienne Long, flanked by fellow cellists either side, a jazz rhythm section and a repertoire of quirky and engaging songs honed on the road during world tours with Damien Rice. Dance music from opposite sides of the planet to follow, with The North Strand Klezmer Band, Dublin 3's finest purveyors of the irrepressible music of the Ashkenazi Jews, and then from slightly further a field, Clube do Balanco, on the last date of a lengthy European tour before returning to their native Sao Paulo, and back to the samba –rock revival they've spearheaded. Sunday 5th builds to a rootsy finale with some genuine foot stomping Acadian music from The Bebert Orchestra, led by accordionist Yves Lambert, ex-leader of La Bottine Souriante and something of a Quebecois institution. After 96 years in the business, the mighty Kilfenora Ceili Band are also a national treasure and will know exactly what buttons to push to bring proceedings to an energetic conclusion.
Monday 6th starts with strange noises from down under and the twelve strapping blokes of The Spooky Men's Chorale, who combine medieval polyphony with original songs about power tools and growing beards. Trust us, it works. A little more local, but no less exotic, Julie Fowlis will seduce you with beautiful Scots Gaelic songs from the isle of Uist in the windswept Outer Hebrides. Dobet Gnahore sings in the Bété language of The Ivory Coast, and she's one of the most vivacious young performers in West Africa today, with a percussion driven band that features the balafon, with its ingenious system of rosewood keys and dried resonating gourds. Very special guest at this year’s Farmleigh Affair is 21 st century troubadour, conscious raiser and proud Dubliner Damien Dempsey, with songs from his critically acclaimed new CD To Hell or Barbados. Finally, we have the fabulous Kocani Orchestra from Macedonia, rocking Farmleigh's foundations with their mighty Balkan brass and percussion.
There'll be refreshments available, along with tasty treats from organic producers, and Farmleigh is the perfect spot for a picnic if you want to bring your own spread. The Farmleigh Affair is completely free but you will require tickets, limited to four per person and available from www.farmleigh.ie from Friday 6th July onwards. We anticipate huge demand for this unique and much anticipated event so apply for tickets early. You don't want to miss the best gig of the summer, in Lord Iveagh's back garden!
Soundings* Tour September 2007
18-23rd of September 2007
As he enters his 6th decade, trumpeter Tomasz Stanko is enjoying the level of recognition that his career long artistry so clearly warrants, and much of it has been stimulated by his recent output for ECM, for whom he has now recorded seven titles as leader. With 2002’s Soul of Things and more recent work like Suspended Night and Lontana, his prodigious gift is distilling down into crystalline documents that attest to the power of time, experience and single minded pursuit of the artist’s own voice.
Its a voice that readily acknowledges the influence of Miles Davis both in practise and in spirit, and Soul of Things drew unanimous praise for its evocation of the landmark that is Kind of Blue, a comparison not made lightly among jazz aficionados. Stanko wears the mantle with ease, and in his ability to manipulate space and time, his control of group chemistry, and textural shifts from convention to dissonance, its clear a similar alchemy is at work.
His description of his own musical journey as one “from chaos to order, from fury to lyricism” is apt. Like many of his peers, the free music of the 60’s exerted a gravitational pull, and his formative years were spent with key European groups like the Globe Unity Orchestra, a lengthy sojourn with Finland’s Edward Vesala, and occasional projects with Cecil Taylor. Later, his work with Polish film composer Krzysztof Komeda would stimulate a more reflective aspect, and Stanko’s own compositions today carry a similar quality of sombre, film noir.
Like Miles, Stanko has the gift of mentoring, and since 1994, he has fostered an extraordinary trio of young Polish musicians in pianist Marcin Wasilewski, bassist Slawomir Kurkiewicz and drummer Michal Miskiewicz, with whom he has built an almost telepathic rapport. Still in their early 20’s, his protégés have made their own ECM debut and in Kurkiewicz, the label has another pianist of poetic scope.
Between them, these four musicians span the generations and articulate the notion of a European jazz aesthetic with an irresistible clarity. For Stanko, one of its most independent spirits, its just reward for a lifetime’s commitment to jazz and its governing principles, the primacy of the individual, freedom borne of discipline and the beauty in discovery. See up-coming events calendar for full details
*The Tomasz Stanko Tour is funded by The Touring Experiment and produced by IMC on behalf of The Soundings Partnership of Limerick and Galway Jazz Societies, Sligo Jazz Project, Moving On Music, Triskel, Mermaid, Solstice , Garter Lane & Source Arts Centres. For information on further Soundings Tours, see www.improvisedmusic.ie
A photo of the Meeting House Square finale during the Yurodny/Myriada Tour.
Over the last decade, we’ve set out our stall to introduce you to great artists irrespective of genre, especially when they’ve been on the threshold of major international recognition. In Kaushiki Chakrabarty, our instinct tells us we’ve identified another major vocal artist to add to the IMC roll call of Irish debuts.
Still in her mid 20’s, this native of Calcutta is rightly being hailed across the sub continent as a very bright star in that expansive musical constellation. She sings both the improvisatory khayal and more devotional thumri, the principle styles of Hindustani classical music, and like many of the new generation, is also versed in the carnatic music of the south and the artful film music of composers like RD Burman.
In her focused intensity and ability to construct and maintain the dramatic arc of this demanding long form music, she displays great maturity. Add to that her emerging mastery of its intricate rhythmic web and unerring control over a three-octave range, all of it delivered with a tone of brilliant clarity, and even by the prodigious standard of Indian classical music, you have a remarkable musician.
Inevitably, she is an alumnus of the guru-shishya system, India’s great tradition of master and pupil, and through which this sophisticated music has been transmitted orally over successive generations. Here, its been handed down by her father and guru, the eminent Pandit Ajoy Chakrabarty, himself a revered figure in the modern pantheon of Indian vocal music.
Those years of devotion at her father’s side are now bearing fruit,. Her debut recording ,Pure, for the UK based Asian connoisseur label Sense, has drawn effusive praise from Indian music’s most exacting critics, who feel a star is born. We do too.
"It's no surprise that they're one of the hardest-working jazz trios in the country with an appetite for exploration that matched pound for pound with an insistent connection to their listeners...” The Irish Times
Described by The Irish Times as a textbook example of the ongoing
vitality of the tradition, Phil Ware’s trio has set a new benchmark for
the piano trio here. Born in England but a Dubliner since 2000, Ware’s
contribution to the Irish jazz resurgence has been generous to a fault,
his tasteful and always supportive playing a leitmotif of many leading
groups. As with so many pianists, he has a special affinity for
singers, but his penchant for melody is best appreciated when he
performs with stalwarts bassist Dave Redmond and drummer Kevin Brady
and their hallmark deep groove.
2006 has been the trio's
busiest year to date and Summit, their JJ Smyth’s residency, has
re-invigorated Monday nights in the capital with a regular infusion of
visiting soloists like Ian Shaw and Jim Mullen. It has also tested the
mettle of the trio's new material, all of which can be found on this
much anticipated debut album. The aptly named "In Our Own Time" sees
the Phil Ware Trio in a more reflective mood with explorative
interpretations of evergreens such as “Nobody Does It Better” as well
as originals from Phil, Kevin and Dave. Directional detours not
withstanding, PWT devotees can be assured that there will be no
departure from the high levels of musicianship and interplay associated
with Ireland’s foremost piano trio.