Due to unforeseen circumstances, our 8th WAX ON event (focusing on pianist Carla Bley) is being postponed until a later date. Ticket-holders will of course receive a full refund with our apologies for the short notice. This postponement is due to factors outside our control. We wish to apologise to all our audience for the short notice of this event and will announce the alternate date shortly.
Our next #WAXON in July will be about Charlie Parker, followed by Louis Stewart in August, and Billie Holiday in September, with an official date for Carla Bley to be announced in the coming weeks.
The revolutionary records and iconic artists that shaped jazz.
WAX ON is both a listening party, placing the needle in the groove of a collection of favourite jazz albums, as well as an intimate space for story-telling and reflections.
The 8th WAX ON event will focus on the life and music of pianist and composer CARLA BLEY!
Carla Bley is an American jazz composer, pianist, organist and bandleader.
Bley emerged in the New York jazz scene in the early 1960s as a starkly original composer, connected to the avant garde of Ornette Coleman and others, but following her own particular, even wayward muse. Over the decades, her tunes have been recorded by major figures from George Russell and Jimmy Giuffre to Jaco Pastorius and her old friend Charlie Haden’s Liberation Music Orchestra.
In 1964, with her second husband, trumpeter Michael Mantler, Bley formed the Jazz Composer's Guild Orchestra, which a year later became known simply as the Jazz Composer's Orchestra. Two years later, Bley helped found the Jazz Composer's Orchestra Association, a nonprofit organization designed to present, distribute, and produce unconventional forms of jazz.
She has always led her own groups, on piano or organ, releasing the results on her own ‘Watt’ label, but it is only in the last couple of decades that she began to concentrate on her own performance. She once described herself as “1 percent player, 99 percent composer”. Bley’s asymmetrical compositional structures subvert jazz formula to wonderful effect, and her unpredictable melodies are often as catchy as they are obscure. In the tradition of jazz's very finest composers and improvisers, Bley has developed a style of her very own, and the music as a whole is the better for it.
Moderated by Irish Times music critic Cormac Larkin, with a panel of jazz aficionados, Wax On brings the audience on an intimate journey through the life and recordings of some of the most influential and important artists of the jazz genre.
Venue: The Vintage Room upstairs in The Workman's Club, Dublin.
Doors at 6.30pm for 7pm start
Tickets €10 + booking fee online, €12 on the door